FE53: 64 page, saddle stitched zine on uncoated stock. Full color throughout. Edition of 100 with co-branded Gramicci sticker. 

A beautiful compilation of humans wearing nice clothes in one zine. A true collaboration between FE and big Gramicci. Photos by Chad on Sasha and Tristan. Shot in and around NYC including The Flowershop, FE HQ, Chads apartment and Dahing Plants. 

FE51: 52 page, A4 sized saddle stitched zine on glossy stock. Edition of 50. Huge 19"x27" glossy folded bedroom poster. 

"Teen Love is about Anemoia – the nostalgia for something that never existed."

I have known SJ for as long as I can remember. We knew each other from the 2012 North of England art and design era. They were in Manchester and I was in Leeds (Leeds Leeds). I have always loved their work; graphic and artistic without being too graphic artist.

The "boy racer" subculture we were into as kids was all toxic masculinity. With 'teen love' SJ is trying to reclaim / recontextualise it through a queer lens. Google Max Power Magazine and you'll see. 

FE50: 52 page, saddle stitched zine on uncoated stock. Edition of 50. 

3 places visited in the last 3 years. I like Valine's photos a lot. I like seeing how people interact with places. I like zines like this. 

FE48: 48 page, 7x10" zine. Black and white throughout. Edition of 50. 

A pretty and gritty selection of black and white photographs by Colin, compiled into a melancholic zine. This is our third publication together which is cute! Published for the Sunday's Zine Swap in Los Angeles, CA. 

Shout out The Breeders.

FE45: 56 page, 7x9" perfect bound lookbook on uncoated stock. Big gloss foil on cover. 

Small Talk rule and their clothes rule. This is their first ready-to-wear full collection so why not celebrate with a beautiful printed lookbook full of photos by Christian Michael Filardo and illustrations by Alex Brown.

FE44: 76 page, offset printed saddle stitched zine on uncoated stock. Full color throughout. Limited edition of 300 (for the heads). 

Back once again. I like Chris's photos in zine format because they're exactly what they need to be; energetic and pretty. They're well taken, colorful, bashful, bright photos from someone who isn't ~technically~ a photographer (by trade). Putting them together you can see people and places feeding of his energy, which feels a lot like real life. 

FE41, 8.5 x 5.5", 88 page staple bound zine on uncoated stock. Edition of 50.

It took a while to get this ready but it's out! Daniel's photos are dark and abstract and it makes for a kind of graphic feeling zine. Really good.

FE40: 36 page, 8 x 10" saddle stitch zine, printed on uncoated stock. Edition of 200. Co-published with Pomegranate Press.

I've known Jesse from Pom from book fairs in the past and we'd always spoken about making a zine together. He approached me with Henry's zine and I was and instant fan of Henry's work. It is completely beautiful. It was published as part of Pom's 8 years Knickerbocker takeover. Thanks for letting us party.

FE35: 48 page, 8.5 x 11", staple bound zine on satin. Full color throughout. Edition of 125.

I met young Antonio at the 8-Ball Zine Fair back in probably 2019 and we have kinda been in touch ever since. It just so happened he was working in Japan with some friends of mine and we began chatting again. We spoke about making a zine and he showed me the pictures he'd been taking. A perfect match! 

FE38: 20 page, saddle stitched zine on uncoated stock. Full color throughout. Edition of 125.

Mac brought this up as a joke a while back but after he showed me the pictures we had to make them known. There a hundreds more but these 20 are my absolute favourite. Yes they are real headshots. Published with 109 Montrose.

FE36: 48 page, 6 x 8", staple bound zine with glossy cover. Edition of 50.

This is literally just scans of Ben's incredible sketch books. One day we'll make like a 400 page book but for now this is a good introduction into Ben's head, and it's sick.  

FE37: 32 page, 8.5 x 11", staple bound risograph zine on uncoated stock. Edition of 50.

Bobby is one of the most multi-talented people I know and this book rules. The print quality compliments it perfectly. I can't stress how good it is. I love Bob. 

FE33, 36 page, 8.5 x 11", perfect bound zine. Visions Vol.1 is a collection of artwork inspired by the stories and themes of Otherworld. The book features works from 20 artists. It's fucking excellent. 

Artists include: Antonio Chicaia, Coley Brown, Cul De Sac Studio, David, Brandon Geeting, Gustavo Eandi, Hank Reavis, Jeremy Dean, Joshua Citarella, Justin Hager, Kogan Cult, Lauren Roche, Marika Thunder, Michael Boswell, Michael Tyrone Delaney & Isabelle Adams, Miranda Byk, Oliver Shaw, Patrick Kosmowski, Rosie Lee Wilson, Sly Morikawa, Stacey Rozich and Ted Guerrero.

FE32, 80 page, staple bound, A5 zine on uncoated stock. Edition of 100.

I worked with Casper on another zine probably around 4 or 5 years ago or something. It was similar, there is a running theme. I like his photos because he is simply photographing his friends and they all have fun doing it. I think it shows.

FE30: 40 page, saddle stitch zine, 8.5 x 5.5”, edition of 100. GTTT pin and FE pin included. 

A celebration of Harmony's first solo single release. Video directed by Morgan Maher, zine images by Christina Bryson, co–Published (and design) by Friend Editions and Harmony’s Fantasy Corp. Titles and lettering by Quincy banks.

Big team!

FE26, 62 page, 6.5 x 8.25", staple bound zine on uncoated stock. Published with HIP. 

I first visited HIP in my home city of Leeds, UK when I was around 16 years old. It was only fitting I helped them publish their first book and distribute it in my new home city of New York. 

Use code FRIENDHIP at checkout and only pay for shipping.

FE25, 60 page, 8.5 x 5.5", staple bound zine on gloss stock. Edition of 50.

Published with Perfectly Imperfect. An official SXSW showcase shot by Christopher Petrus in Austin Texas, compiled into a glossy zine. 

FE24, 44 page, 8.5 x 5.5", staple bound zine on recycled uncoated stock. Edition of 50.

A collection of photos taken in 2016, spanning prom night to the last days of summer before going to away to college. A love letter to Santa Barbara, to being 17, to grief and to taking photos before it was a job.

Proceeds from the zine will be donated to a cause close to the artist. 

FE22, 72 page, 6.5 x 9", staple bound zine on recycled uncoated stock. Edition of 50. Originally made for the Sunday's Zine Swap, LA, 2023.

The name is too long for the caption but it's close crops of images from desert magazine 40, 41, 60. I had to help Sam when he was printing this because he needed some advice on materials and stuff. Naturally he called the expert, of course. It was made for the zine swap with no intention for me to publish it, we slapped a sticker on the back and now it's co-published. If you’ve never seen the magazine, you can now see 3 issues in 1. Thank you Sam.

FE21, 80 page, 8.5 x 5.5", staple bound zine on recycled uncoated stock. Full color throughout. Edition of 100 with bonus lucky dip Digital C Print. 

I have always liked Cobey's photos and he is my friend. They are natural and that's often hard to come by. I am sure there are hundreds more, but DUANE encapsulates 68 of Cobey's images of his muse, Claire. It's beautiful and cute. I'll never not be impressed Claire snagged the handle @duanereadeofficial... good work. 

FE20, 48 page, 8.5 x 5.5", staple bound zine on uncoated stock. Full color throughout. Edition of 50. Originally published for the Sunday's Zine Swap, LA, February 2023.

Scans of scans, printed! Berkley hit me a while ago to make this and we made it and it made it's way to the zine swap and now it's making it's way on here. It's really cool. Lots to find on each page. A recently compiled collection of images made in 2019 and 2020 using a scanner.

FE15.05, 76 page, perfect bound zine on uncoated stock. Full color throughout. Edition of 50. Foreword by Lucy White. 

So nice we made it twice. 

FE15, 76 page, perfect bound zine on uncoated stock. Full color throughout. Edition of 100. Foreword by Lucy White. 

Me and Sly are friends, although we've never met. I have been enamoured by her work as long as I have been publishing it. When I reached out to her about a new project she told me she'd been in Japan shooting and I knew whatever she sent would be exactly how I thought it would be; bright and energetic and tough. The perfect representation of Sly's work, in my opinion.

FE16, 36 page, 8.5 x 11", staple bound zine on uncoated stock. Full color throughout. Edition of 175.

Ryans paintings are beautiful and captivating and colorful. This zine is full of the reference he takes before making them. Ryan is sweet man and a new friend. We launched this in Nashville, TN. Check out The Green Ray, shout out Rebecca. 

FE14: 40 page, saddle stitched zine on uncoated stock. Full color throughout.

They're back at it again with a new piece of work shot in and around NYC. When M and T first told me about this zine they said they were going to flash around New York at historic monuments such as the Statue of Liberty. I am pleased they didn’t, I didn’t want them to get arrested.

FE10: 52 page, saddle stitched zine on uncoated stock. Full color throughout. Hand signed by the artists. 

I am a big fan of Morgan’s work and a new fan of Talulah’s. Morgan and Talulah are also my buds! After we planned to make the zine and the zine was made, they texted me every day about it. Excited! They flew from LA to NYC to have a party for the zine at Fanellis or somewhere else, EmRata will be there they tell me. Turns out the venue they landed on burned down so they had to do it next door. Enjoy it, there may or may not be another soon. 

FE09, 24 page, saddle stitched zine on uncoated stock. Full color throughout. 

The photographs in this little zine are beautiful and refreshing like a crisp fall day in the middle of summer or something like that. I love this zine! Thank you, Cara.

FE06, 24 page, saddle stitched zine on uncoated stock. Black and white throughout. Big bonus tattoo transfer sheet by Ben himself. Bigger bonus add the tote bag to your cart, it's really good. 

Ben is an incredibly talented designer and illustrator, he really wants to do tattoos and so he's been practicing. You should get one from him. I haven't yet but I will soon (once he is better). Thank you T-Bone and Nico for the beautiful pics.

FE05.5, 60 page, saddle stitched zine on uncoated stock. Full color throughout. Bonus giant bumper bookmark. Second edition of 100.

Oliver Shaw: I think we need to print more asap w a diff cover. Unless you’re hyped on it selling out so fuck it. Or do it exactly the same but with 2nd edition written on it?
Chris Black: We could just do that.

Exactly the same as first edition, but it says second edition on the back. no reprints.

FE05, 60 page, saddle stitched zine on uncoated stock. Full color throughout. Bonus giant bumper bookmark.

Chris text me once recently, "I've been thinking about you, I want to make a zine.".

“Come with us on a journey from the Pyramids to Pete Davidson, from Lil Uzi Vert to a still life with San Pellegrino and pear, from the wonders of the world to the beauty of everyday life. It’s a world of rock stars, footballers, fashion editors, best friends and lovers, camels, old Egyptian men, flowers, handmade lamps, hotel bedrooms, park benches.” — Dean kissick

FE04, 28 page, saddle stitched zine on uncoated stock. Full color throughout.

Maly takes the prettiest photographs so we thought we'd utilize that and put them in this cute zine full of her friends and muses.

FE03, 44 page, saddle stitched zine on uncoated stock. Full color throughout.

Phoenix takes too many good photos and doesn't do anything with a lot of them so we finally made a zine with a specific location and set of subjects.

FE02, 12 PAGE, SADDLE STITCHED ZINE ON UNCOATED STOCK. FULL COLOR THROUGHOUT.

Michael is a legend and the zine is super fun. It can be found in a few places but unfortunately not here anymore. Originally made for the Sunday's Zine Swap in LA.

FE01, 12 PAGE, SADDLE STITCHED ZINE. One color Xerox print on yellow paper. Originally printed for the Sunday's Zine Swap in LA. They're gone now but they are pretty cool.